![]() She warns him to go away, but the man rides his motorcycle out into the valley.and immediately gets thrown off his bike when Jean Jacket cuts the power. Emerald assumes is from TMZ (it's not a wild guess, as news has been circling since the disappearance at Jupiter's Claim). The plan hits an immediate snag with the arrival of a stranger with a camera. Angel assists Antlers, and Emerald provides a second set of eyes through the security camera setup Angel put up earlier in the film. The filmmaker will be hiding on a hill with Angel, all set up to get the shot on his non-electric film camera. OJ, wearing a The Scorpion King hoodie with fake eyes, will ride his horse Lucky out and lure the alien out, getting it in range for Antlers. The group litters the desert valley with sky dancers (the inflatable tube men seen at used car dealerships) that will shut off when Jean Jacket gets close. ![]() As OJ says, "It’s alive, it’s territorial, and it wants to eat us." It has an electromagnetic field that shuts off all electricity near it, and it won't suck up people who don't look at it. It can't digest non-organic material, instead shooting out things like wood, plastic, and metal (including the falling coin that killed Otis Sr.). What we do know about the monstrous being, which OJ nicknames Jean Jacket, is that it's not a spaceship carrying aliens (as most of us thought from its classic UFO look) but one giant monstrous creature that sucks animals and humans up to be eaten. The Haywood siblings learn about the mysterious UFO at the same rate as the audience, and we still had several questions about the alien after the film ended. OJ and Emerald come up with a plan to get the Oprah shot. For anyone in this camp, here's a breakdown of the film's epic, ambiguous ending. ![]() It's the type of film that has moviegoers looking up everything they can read about the film they just saw. That simple explanation barely sums up a meticulous film, which includes numerous references to Hollywood's UFO and Western genres, as well as a thought-provoking theme about our spectacle-obsessed culture.
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